Rosemarys baby movie
After all, most of the actors cited above – Elba, Jordan, Wallis – came to their parts with talent and high praise, but that didn’t stop the haters from speaking up and slinging venom. Still, the fact that Zoe Saldana may very well nail the part doesn’t explain why the considerable contingent of online racists have remained, for the most part, mum on her casting.
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Throughout all of the performances of her career – tough, sinewy action heroines or not – Saldana has always betrayed a certain fragility that is perfectly suited for a character whose actions are being mysteriously manipulated and whose sanity is in jeopardy. I have not seen this updated version, but judging from the most famous iteration of the story, I happen to believe that Saldana will make an ideal Rosemary. Here, it is important that I state, for the record, that I am extremely glad that I have not, as of yet, come across too many such objections. If someone can raise their hand and say that Annie is too ginger or Johnny Storm too douche-y to be black, I fully expected to read some deceptively or overtly racist rant about how the character of Rosemary Woodhouse is traditionally meek, innocent, or pure – all qualities not typically ascribed to black female characters. Yet, I have always accepted the image of actress Mia Farrow with her pixie haircut as somewhat iconic - this brittle waif seduced and taken advantage of by dark forces, leading to the ultimate corruption of her motherhood. “Rosemary’s Baby” is not my favorite film, or even my favorite horror movie.
#Rosemarys baby movie skin#
The book describes Rue as having “dark brown skin and eyes.” In the case of “The Hunger Games,” however, the filmmakers were not being heedlessly creative or liberal-minded. As if this truth doesn’t suck enough, such grumblings are often based on the idea that the casting of a black person somehow violates the sanctity of the source material, as evidenced by current grievances against the forthcoming “Annie” remake starring Quvenzhané Wallis (“Beasts of the Southern Wild”). It seemed that some white folk simply had difficulty relating to or sympathizing with the on-screen death of an innocent young child because of the color of her skin. The insidious tenor of protest was reported basically everywhere. (Having watched him thrillingly chew up the CGI scenery in so many Avengers films, you have to wonder, "Was there ever any other option?") To my mind, the most upsetting of these occasions pertains to the casting of Amandla Stenberg as the character of Rue in “The Hunger Games,” where her tragic death scene is the emotional turning point of the film.
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I even dug up specious resistance to Samuel Jackson as Nick Fury. There are pro-Nordic lobbies against Idris Elba being cast as Heimdall in the Thor franchise films. The fanboy rabbithole on this topic is bottomless. Therefore, re-casting him as black would undermine the character’s arc into a better, more humble person. In one comment section, I read a very impassioned argument that Johnny Storm was traditionally written in the comic books as a cocky, privileged white man. Jordan has already proven his heroic merit in the brilliantly understated origin story “Chronicle.” Nevertheless, many Fantastic Four fans objected to this announcement on the grounds that the recognizably white Kate Mara was cast as Storm’s sister Sue – an objection predicated on the nonexistence of adoption or half-siblings.
#Rosemarys baby movie update#
Jordan (“Fruitvale Station”) as fiery Johnny Storm in the upcoming update of the The Fantastic Four comic book series. Recently there was an uproar over the casting of actor Michael B. Though I am embarrassed to have gone looking for controversy where there appears to be none, a brief, not-at-all exhaustive survey of recent public response to black actors cast in traditionally white roles proves why I expected the worst.
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Ultimately, I found little objection to Saldana’s casting.
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I am almost ashamed to admit this, but my first thought after hearing about this production was not, "How will it be different than the 1968 Roman Polanski classic?” or “Why is it a miniseries?” or even “Will it be any good?” No, my first thought was, “Oh, man, white people are going to freak out over a black Rosemary.” As the series’ air date neared, I began to search for instances of outrage on Internet comment boards and, of course, on the most obvious incubator of frivolous beef, Twitter. A new, miniseries version of “Rosemary’s Baby” premieres on NBC this Sunday, starring Zoe Saldana as the titular mother of Satan’s spawn.